On top, it comes with new tuning systems for working outside the 12-tone equal temperament system, all accessible in the Live’s devices. The team also found an answer to the question: “are my tracks in the right key?” Live 12 includes a new function allowing you to choose a key and scale in the control bar to stay in key across all devices.Ī scale guide is built into the clip editor, allowing you to transform, sync, or generate new ideas. You can also stretch, split, chop, or join notes in new ways, shape the velocity of notes more easily, and more. Often seen as a plugin or M4L device, now embedded in Live.Ībleton also updated the MIDI editor with new functions and a better workflow, including the option to rearrange the order of a selection of notes by pitch, velocity, or duration. Live 12 also hosts a set of inspiring, fully customizable generative algorithms that create melodies, rhythms, and chords. You can add ornaments, connect successive notes and chords, and simulate guitar strums. With these, you can turn any simple MIDI sequence into a deeper and more complex variation. They continue this MIDI focus consistently in Live 12 with new MIDI transformation and generator tools. For example, Ableton introduced probability (chance) to its sequencer in Live 11. MIDI manipulation, on the other hand, is a topic that DAW developers have only been exploring in more depth for several years. An Endless Playground For IdeasĪudio manipulation using effects… is an absolute standard in every DAW. For me, it seems more melted together, less in recognizable blocks like Live 10 or 11. It removes visual complexity and keeps the focus on your music, says Ableton. Still a familiar picture, though, but the team has created a cleaner and more modern look for it. When you open Live 12 for the first time, you see a new user interface. This time is more about smaller features that turn Live into a more accessible, creative digital audio workstation. There are no new mega headlining features this time, like in Live 11 comping or MPE. It’s not a revolution but an evolution of Ableton’s DAW. Here’s a detailed overview of what’s new. There is a reason why I introduce you this way in my article.Ībleton announced Live 12 today, a new version of their popular DAW with major new features, improvements, content, and more. I want to write: does Ableton now publish Live updates every year? Nope, Ableton Live 11 was announced in November 2020, released in February 2021. Ableton has announced Live 12, a major upgrade for its DAW with all-new MIDI-transforming power, new devices, and more.
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